‘My work often begins with quiet observation: of bodies, of spaces, of the way memories linger. From there, it moves through reflection and becomes form: sometimes still, sometimes in motion, often somewhere in between. I’m drawn to the moments where things blur; where the lines between self and other, inside and outside, memory and present, aren’t quite fixed.

I’m interested in how we become who we are. How experiences, relationships, time, and places layer themselves into us. Identity, for me, isn’t stable or singular; it’s porous, always shifting, shaped by the people we meet, the spaces we inhabit, and the stories we carry within us.

Recurring forms and motifs like holding vessels, receiving funnels, sensory organs, and images of gestures and memories echo this idea of the porous self. The materials are chosen for their ability to speak this language of fragility, permeability, and transformation: soft wood, glass, malleable wax, skin-like rubber, porcelain, liquids, semi-transparent fabrics, and the body itself. I’m drawn to what is layered, translucent, unstable: things that ask to be looked at slowly

Through my practice, I try to create a space that invites reflection—not just on what we see, but on how we feel, remember, and connect. In that space of looking and sensing, I hope something shared can unfold.’