The work centres on a broken sheet of glass, its fragments held together by a translucent fabric that seems to suspend them mid-current. The surfaces appear wet, as though they are truly resting in a river’s flow. In front of them, a sheet of cathedral glass casts a shifting, watery shadow across a piece of tracing paper. Written on it are the words: ‘how to stop the stream from running?’

Placed loosely within the structure is a wax hand, reaching towards something. Caught between holding and letting go, the installation lingers in the tension between interruption and inevitability - between the desire to halt a current and the knowledge that streams, whether of water, time, or feeling, continue to run.