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'memory is a soft material' (2026)
'catching raindrops' (2026)
'kartenhäuser aus wachs' (2026)
'zurück. empfänger unbekannt verzogen.' (2026)
'a fragile path' (2026)
'selfportrait with thistle' (2025)
'about listening to one another' (2025)
'where bodies of water meet' (2025)
'I am see through (I see you)' (2025)
'ear to ear' (2025)
'Inventory (1994-2025)' (2025)
'I dropped what I love and now I can't remember how it fit together and the glue won't stick’ (2025)
'pouring, waiting, mark making' (2025)
'I'm sorry I don't call; I'm sorry I'm no better friend.' (2025)
'how to stop the stream from running?' (2025)
'how are you?' (2025)
'feelers' (2024)
'let me hear your whisper; let me feel your shift.' (2024)
'I see better through burned mirror' (2024)
'membrane (studio door)' (2024)
'porous body' (2024)
'antenna' (2024)
'mother of pearl' (2024)
'tentatively crawling forward' (2024)
'skin, the size of my studio windows' (2024)
'washed ashore by motherly waters' (2023)
'containing tide' (2023)
'untitled (elements of the intimacene)' (2023)
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home
works
'memory is a soft material' (2026)
'catching raindrops' (2026)
'kartenhäuser aus wachs' (2026)
'zurück. empfänger unbekannt verzogen.' (2026)
'a fragile path' (2026)
'selfportrait with thistle' (2025)
'about listening to one another' (2025)
'where bodies of water meet' (2025)
'I am see through (I see you)' (2025)
'ear to ear' (2025)
'Inventory (1994-2025)' (2025)
'I dropped what I love and now I can't remember how it fit together and the glue won't stick’ (2025)
'pouring, waiting, mark making' (2025)
'I'm sorry I don't call; I'm sorry I'm no better friend.' (2025)
'how to stop the stream from running?' (2025)
'how are you?' (2025)
'feelers' (2024)
'let me hear your whisper; let me feel your shift.' (2024)
'I see better through burned mirror' (2024)
'membrane (studio door)' (2024)
'porous body' (2024)
'antenna' (2024)
'mother of pearl' (2024)
'tentatively crawling forward' (2024)
'skin, the size of my studio windows' (2024)
'washed ashore by motherly waters' (2023)
'containing tide' (2023)
'untitled (elements of the intimacene)' (2023)
studio
about
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Close Menu
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'memory is a soft material' (2026)
'catching raindrops' (2026)
'kartenhäuser aus wachs' (2026)
'zurück. empfänger unbekannt verzogen.' (2026)
'a fragile path' (2026)
'selfportrait with thistle' (2025)
'about listening to one another' (2025)
'where bodies of water meet' (2025)
'I am see through (I see you)' (2025)
'ear to ear' (2025)
'Inventory (1994-2025)' (2025)
'I dropped what I love and now I can't remember how it fit together and the glue won't stick’ (2025)
'pouring, waiting, mark making' (2025)
'I'm sorry I don't call; I'm sorry I'm no better friend.' (2025)
'how to stop the stream from running?' (2025)
'how are you?' (2025)
'feelers' (2024)
'let me hear your whisper; let me feel your shift.' (2024)
'I see better through burned mirror' (2024)
'membrane (studio door)' (2024)
'porous body' (2024)
'antenna' (2024)
'mother of pearl' (2024)
'tentatively crawling forward' (2024)
'skin, the size of my studio windows' (2024)
'washed ashore by motherly waters' (2023)
'containing tide' (2023)
'untitled (elements of the intimacene)' (2023)
studio
about
'a fragile path' 2026
beeswax and footprints
280 × 90 × 2cm
